Επιστολή του John Καβάφη προς τον Κ. Π. Καβάφη

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ΠΕΡΙΣΤΡΟΦΗ

ΕΣΤΙΑΣΗ

ΜΕΓΕΘΥΝΣΗ

ΛΗΨΗ

ΛΗΨΗ ΟΛΩΝ

ΛΗΨΗ 1
ΛΗΨΗ 2
ΛΗΨΗ 3
ΛΗΨΗ 4
ΛΗΨΗ 5

[Alexandria] 30th October 1882
    My dear Constantine,          I am unable to describe with what pleasure I
    take up my pen to write to you. I like to be perfectly quiet     with your last letter at my left-hand-side, to write down     “winged words” and bid them speed with what haste they may     to reach you. When I get up on a Tuesday morning I     say to myself, “this is my mail-day, I must write to the wise     Constantinus”, and so, during the whole day, I look forward to     the still hours of night with intense enjoyment.     I have now your letter of the 19th before me, and your slip     of the 23rd; the latter has surprised me much: for I write     regularly once a week and trust you receive my letters.     I am sorry to have been the unwilling cause of uneasiness
    to our poor, dear mother, and shall be more so if I find     out that my letters are being intercepted by someone some-     where. As you know, I don’t keep a copy of what I write     so that I cannot ascertain which letter is missing.     It may however be an oversight of some Post Office Official, and     the letter turn up when least expected.     Thanks for your approval of “Sunset Voices” and your     pretty simile. What do you think of “Phantasmagoria”?     Have I succeeded in improving it?     My head is now full with the plan of a new poem in blank     verse; a wild scheme of some 4,000 lines with no definite     subject but a certain harmony combining and breathing its
    influence throughout the whole. I have finished the “Proem”,     although I must confess I have not yet committed it to     paper, so I append it here thus benefiting mysellf and giving you a sample of     the projected work: ―
          “An arabesque of orient flowers and leaves,           Such as were whilom wreathed by votaries           Of Bacchus and the Muses: such as bound           The brows of poets or the Pythoness: ―           Such garland, peradventure if I find,           I wonder, who hath wreathed it? whence it came?           Unable to divine the wreather’s thoughts           Or meaning, who, distributing the flowers           In style so very fanciful, grotesque,           Some unity of purpose still retained.―

          Bear with me, friend, in mine infirmities;           Condemn not too austerely what may seem           The fanciful arrangement of my song,           But call it, as I have, an ‘Arabesque’.”―
    From this you will gather that I intend calling my new     poem “An Arabesque”. I think it is a very pretty name.     Your several extracts from the Spectator, Kentish Observer,     and Ingoldsby are highly interesting.     Now you ask about our bowab’s conduct. This worthy     was on duty up to the 10th July (the eve of the bombardment)     when Mr. Watson embarked on board the Mosquito and left him
charge of the office, adjuring him to keep quiet and within doors and that he (Watson) would return ashore within three days. The bombardment ― as you know ― occurred a Tue- sday and the fire on a Thursday (13th July). Watson was the first civilian to step ashore. He walked up to our office on the Friday in the company of a detachment of Marines, who shot down every Arab as they went along. Watson had a revolver and did something in that line of business too. On reaching the office it was found that the adjoining buildings were in flames, and that if something were not done at once to allay these, all Canelli’s houses would
be destroyed. Thereupon Watson obtained two Marines to assist him and with their help forced the door of our Okella, ascended the stairs, and found our Office locked up. The key had been given to the bowab Abdoul. Our office-doors, you must know, are ribbed with iron and patent-locked. Here then was a difficulty: ― it was evi- dent they could not force them, and it was of the ut- most necessity for them to get at the water-taps in order to save the building by flooding it over. The ingenuous Watson quickly thought, and quickly decided. He lay to his revolver and fired at the lock ― A tremendous smash! and the whole thing was knocked to pieces ― (we have had great difficulties in getting the doors repaired since) ― On entering the office, and on having despatched the business
    of the moment, W. found that all the almanacks shewed the     date of the 11th July, thereby indicating that up to that day the     bowabs had attended their duties, but then in the frenzy     that must have seized everyone at the din of the bombardment,     they fled ― and have not been heard of since.     It is now said that Araby in those days gave explicit     orders to the soldiery to shoot down all berberines, as part-     isans of and faithful to the Christians. The poor devils having     got wind of this, of course took to their heels immediately     and very few have been heard of, and still fewer have returned.     We have as a rule ten berberines in our employ. Of these     two only remained. One of them, hid himself in one of our     lighters and the other took refuge in our Marina Office.
    Araby’s trial has not yet commenced. Two English     lawyers have come out for the defence: Messr. Napier and     Broadley.
    Alexander in his letter to Aristides this week does not     hold out much hope of success with La Fontaine. Has     this man been rude? Pray give me the details.     I am sorry to see your late literary depression, but     no matter what happens I am confident that you will     one day succeed, and succeed brilliantly.     Some phrases cannot be translated literally from     one language into another. However I think that     “he went to the encounter of” is not bad English,     and word for word translation of “il alla à la rencontre     de.” ― It is a hackneyed thing to beg pardon
for bad writing, but I do believe an apology is requisite for mine this time ― Somehow or other little bits of dirt clog my pen every now and then, and create something like an oasis of ink ― However it is time I should end and trouble you no longer to decipher these irregular characters. I love you dearly and am always Your faithful Johannisberg

ΠΕΡΙΓΡΑΦΗ ΨΗΦΙΑΚΟΥ ΑΝΤΙΓΡΑΦΟΥ

ΠΕΔΙΟ ΑΝΑΓΝΩΡΙΣΗΣ

ΚΩΔΙΚΟΣ ΑΝΑΓΝΩΡΙΣΗΣ:

Καταγράφεται ο μοναδικός κωδικός που έχει αποδοθεί στο επίπεδο περιγραφής ώστε να διευκολύνεται η ανταλλαγή πληροφοριών σε διεθνές επίπεδο.

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ΤΙΤΛΟΣ:

Αφορά στην ονομασία της ενότητας περιγραφής.

Επιστολή του John Καβάφη προς τον Κ. Π. Καβάφη

ΧΡΟΝΟΛΟΓΙΑ(ΕΣ):

Προσδιορίζεται η χρονολογία δημιουργίας της ενότητας περιγραφής.

30/10/1882

ΕΠΙΠΕΔΟ ΠΕΡΙΓΡΑΦΗΣ:

Προσδιορίζεται, κάθε φορά, το επίπεδο της ενότητας περιγραφής (αρχείο, υπο-αρχείο, σειρά, υποσειρά,, φάκελος, υποφάκελος, τεκμήριο).

Τεκμήριο

ΜΕΓΕΘΟΣ ΚΑΙ ΥΠΟΣΤΡΩΜΑ:

Δίνονται πληροφορίες σχετικά με τον όγκο της ενότητας περιγραφής. Στις περιπτώσεις περιγραφής τεκμηρίου, δίνονται οι αντίστοιχες διαστάσεις.

43,5 x 27 εκ.

ΠΑΛΑΙΑ ΕΝΔΕΙΞΗ ΤΑΞΙΝΟΜΗΣΗΣ:

Καταγράφεται η προηγούμενη αναφορά αναζήτησης του τεκμηρίου όπως εμφανίζεται στον Ιστορικό Κατάλογο Γ. Π. Σαββίδη.

F50_Φ1-27

ΠΕΔΙΟ ΠΛΑΙΣΙΟΥ ΠΑΡΑΓΩΓΗΣ

ΟΝΟΜΑ ΠΑΡΑΓΩΓΟΥ:

Αναφέρεται ο συντάκτης ή ο δημιουργός της ενότητας περιγραφής.

Καβάφης, John

ΠΕΔΙΟ ΠΕΡΙΕΧΟΜΕΝΟΥ ΚΑΙ ΔΙΑΡΘΡΩΣΗΣ

ΠΑΡΟΥΣΙΑΣΗ ΠΕΡΙΕΧΟΜΕΝΟΥ:

Δίνεται μια σύντομη περίληψη του εύρους και του περιεχομένου της ενότητας περιγραφής.

Χειρόγραφη επιστολή του Τζων Καβάφη προς τον Κ. Π. Καβάφη σε δύο τετρασέλιδα της εταιρείας R. J. Moss & Co., Alexandria. Οι σελίδες 2-4 αριθμημένες πάνω δεξιά. Σχόλια για ποιήματα του Τζων και απόσπασμα ενός από αυτά. Ενημέρωση για τις πολιτικές εξελίξεις στην Αίγυπτο.

ΠΕΔΙΟ ΟΡΩΝ ΠΡΟΣΒΑΣΗΣ ΚΑΙ ΧΡΗΣΗΣ

ΟΡΟΙ ΑΝΑΠΑΡΑΓΩΓΗΣ:

Προσδιορίζονται οι περιορισμοί στην αναπαραγωγή της ενότητας περιγραφής.

CC BY-SA 4.0 Cavafy Archive Onassis Foundation

ΓΛΩΣΣΑ / ΓΡΑΦΗ ΤΩΝ ΤΕΚΜΗΡΙΩΝ:

Σημειώνεται /ονται η/οι γλώσσα /ες γραφής του τεκμηρίου.

Αγγλική

ΦΥΣΙΚΑ ΧΑΡΑΚΤΗΡΙΣΤΙΚΑ ΚΑΙ ΤΕΧΝΙΚΕΣ ΠΡΟΫΠΟΘΕΣΕΙΣ:

Δίνονται πληροφορίες για τα ιδιαίτερα φυσικά χαρακτηριστικά του τεκμηρίου.

Γραφή με μελάνι. Υδατόσημο: R. J. Moss & Co Alexandria. Φθορά φυσικού τεκμηρίου: οξειδώσεις.

ΠΕΔΙΟ ΠΑΡΑΤΗΡΗΣΕΩΝ

ΠΑΡΑΤΗΡΗΣΕΙΣ ΤΟΥ/ΤΗΣ ΑΡΧΕΙΟΝΟΜΟΥ:

Δίνονται πληροφορίες οι οποίες δεν μπορούν να συμπεριληφθούν σε άλλα πεδία.

Η επιμέλεια των μεταγραφών των επιστολών του Ιωάννη Κωνσταντίνου Καβάφη προς τον Κ. Π. Καβάφη πραγματοποιήθηκε για πρώτη φορά από την Κατερίνα Γκίκα και αναρτήθηκε στον επίσημο διαδικτυακό τόπο του Αρχείου Καβάφη.

ΣΥΜΠΛΗΡΩΜΑΤΙΚΑ ΣΧΟΛΙΑ:

Διευκρινιστικά και επεξηγηματικά σχόλια φιλολογικού χαρακτήρα για το αρχειακό τεκμήριο.

O Καβάφης κρίνει θετικά το «Sunset voices» του Τζων, ενώ ο Τζων αναμένει την κρίση του αδελφού του για το «Phantasmagoria». Ο Τζων στο τέλος αντιγράφει μερικούς στίχους από ένα καινούριο του ποίημα με τίτλο «Arabesque». Γίνεται αναφορά και στον blank verse.