υπογράμμιση
υπογράμμιση
πράσινη γραμματοσειρά
κίτρινη γραμματοσειρά
κόκκινη γραμματοσειρά
DIGITAL OBJECT DESCRIPTION
IDENTITY AREA
37.2 x 24.7 cm
CONTEXT AREA
CONTENT AND STRUCTURE AREA
Handwritten list on two separate large-size sheets. The title on the recto of the first, with cancellation over the word “Miscellaneous” and the first part of the list on the verso. The list continues on both sides of the second sheet. Cancellations and emendations.
CONDITIONS OF ACCESS AND USE AREA
Greek
Large-size graph paper, affixed on a more compact surface made of cloth. Black and red ink; black and blue pencil. Physical item wear: oxidations; torn parts; detachment in several places.
ALLIED MATERIALS AREA
“Lohengrin” >A524
“Suspicion” >A524
“Waiting for the Barbarians” >A84
“Death of a General” >Α524
“The Intervention of the Gods >Α428
“Che fece… il gran rifiuto” >Α67
“King Claudius” >Α524
“The Naval Battle” >Α524
“When the Watchman Saw the Light” >Α524
“Trojans” >Α87
“Interruption” >Α70
“Thermopylae” >Α19
“Strengthening” >Α524
“Voices” >Α79
“Sham-el-Nessim” >Α15
“Come Back” >Α131
“Manuel Comnenus” >Α142
“Song of Ionia” >Α46
“The Satrapy” >Α108
“As Much As You Can” >Α133
“Ides of March” >Α111
“27 June 1906, 2 P.M.” >Α494
“Hidden” >Α480
“Finished” >Α112
“Ithaca” >Α122
“The God Abandons Antony” >Α116
“In the Church” >Α227
“Prayer” >Α55
“The Windows” >Α75
“Old Men’s Souls” >Α68
“Maker of Wine Bowls” >Α581
“Of the Jews (50 A.D.)” >Α165
“In Stock” >Α133
“Artificial Flowers” >Α427
“The First Step” >Α62
“Julian at the Mysteries” >Α524
“The Rest Shall I Tell in Hades to Those Below” >Α524
“Morning Sea” >Α141
“The Pawn” >Α524
“Passage” >Α160
“Brindisi” >Α2
“Correspondences According to Baudelaire” >Α513
“Builders” >Α11
“The Cat” >Α616
“Sweet Voices” >Α31
“Word and Silence” >Α14
“Chandelier” >Α137
“Dread” >Α524
“Second Odyssey” >Α616
“He Who Fails” >Α524
“In the House of the Soul” >Α423
“The Bank of the Future” >Α426
“Monotony” >Α98
“If indeed He Died” >Α171
“House with Garden” >Α524
“It Was Taken” >Α524
“Before Jerusalem” >Α616
“Byzantine Noble, in Exile, Versifying” >Α179
“One of Their Gods” >Α160
“The City” >Α107
“Theodotus” >Α138
“Epitaph” >Α524
“Very Rarely” >Α132
“In the Presence of the Statue of Endymion” >Α581
“Near an Open Window”> Α43
“The Hereafter” >Α524
“Rain” >Α524
“Good and Bad Weather” >Α26
“Voice from the Sea” >Α59
“In the Cemetery” >Α524
“From the School of the Renowned Philosopher” >Α191
“Theophilus Palaeologus” >Α524
“Comprehension” >Α153
“Addition” >Α426
“Garlands” >Α524
“Ode and Elegy of the Streets” >Α40
“But Wise men Apprehend What is Imminent” >Α385
“Oedipus” >Α38
“Nichori” >Α488
“Hours of Melancholy” >Α35
“Painted” >Α141
“The Enemies” >Α524
“Aemilian Son of Monaës, an Alexandrian, 628-655 A.D.” >Α162
“Demaratus” >Α192
“The Four Walls of My Room” >Α524
“Eternity” >Α524
“Impossible Things”> A424
“Melancholy of Jason, Son of Cleander: Poet in Commagene: 595 A.D.” >A191
NOTES AREA
Some of the cited titles correlate to earlier drafts of poems by C. P. Cavafy. Cf. G. P. Savvidis (ed.), C. P. Cavafy, Poems (1896-1933), Athens, Ikaros, 2014, vol. I, p.103-154 and vol. II, p. 125-178.