Onassis Cavafy Archive

REFERENCE CODE:

Records the unique identifier that has been appointed to the unit of description by the archivists, in order to facilitate references made to the fonds on an international level.

GR-OF CA CA-SF01-S01-F03-SF001-0014 (866)

TITLE:

Records the name of the unit of description.

Poem titles

DATE(S):

Identifies the date of creation of the unit of description.

n.d.

LEVEL OF DESCRIPTION:

Identifies the level of arrangement of the unit of description (fonds, sub-fonds, series, sub-series, file, sub-file, item).

Item

EXTENT AND MEDIUM:

Records the extent of the unit of description. In case of an item description, it records the exact dimensions of the item.

21 x 25.5 cm

FORMER REFERENCE CODE:

Records the former identifier of the item as given by the Historical G. P. Savvidis Catalogue.

F82_φ7-10

NAME OF CREATOR(S):

Identifies the author or the creator of the unit of description.

C. P. Cavafy

SCOPE AND CONTENT:

Provides a summary of the scope (such as, time periods, geography) and content of the unit of description.

Handwritten titles of poems on two sheets of paper, divided into columns in ink. Some of the titles have been included in broader categories (“Po[ems] wr[itten] in kath[arevousa]”, “Passions”, “The Arch[on] of Ep[irus]”, “The Princip[les] of Chr[istianity]”, “Byz[antine] Da[ys]», “Our Art”, “Anc[ient] Da[ys]”, “Risky”, “Fleeting Years”, “Prisons”, “Thr[ee] Ima[ges]”). Small piece of paper pasted on one side of one of the sheets. Many of the titles are crossed out. Extensive use of abbreviations.

CONDITIONS GOVERNING REPRODUCTION:

Specifies the conditions governing the reproduction of the unit of description.

CC BY-SA 4.0 Cavafy Archive Onassis Foundation

LANGUAGE AND SCRIPT NOTES:

Identifies the language(s) and script(s) employed in the unit of description.

Greek

PHYSICAL CHARACTERISTICS AND TECHNICAL REQUIREMENTS:

Provides information about important physical characteristics of the unit of description.

Writing in pencil and ink. Physical item wear: extensive oxidations and tears.

RELATED WORKS BY C. P. CAVAFY:

Reference to the works of C. P. Cavafy that are directly related to the described digital object, followed by their number of entry in the C. P. Cavafy Bibliography (ed. by D. Daskalopoulos).

“Voices” >Α79
“Longings” >Α85
“Candles” >Α61
“An Old Man” >Α54
“Prayer” >Α55
“Old Men’s Souls” >Α68
“The First Step” >Α62
“Interruption” >Α70
“Thermopylae” >Α19
“Che fece… il gran rifiuto” >A67
“The Windows” >A75
“Trojans” >Α87
“Waiting for the Barbarians” >Α84
“Monotony” >Α98
“Betrayal” >Α78
“The Funeral of Sarpedon” >Α100, Α58
“The Horses of Achilles” >Α54
“The Retinue of Dionysus” >Α93
“King Demetrius” >Α90
“That Is He” >Α104
“Sculptor from Tyana” >Α114
“The Steps” >Α106
“Walls” >Α50
“Finished” >Α112
“The City” >Α107
“The God Abandons Antony” >Α116
“The Satrapy” >Α108
“Song of Ionia” >Α46
“Ides of March” >Α111
“Ithaca” >Α122
“The Glory of the Ptolemies” >Α121
“Dangerous” >Α123
“Philhellene” >Α127
“Herodes Atiicus” >Α125
“Come Back” >Α131
“In the Church” >Α227
“As Much As You Can” >Α133
“In Stock” >Α133
“I Went” >Α133
“The Death of the Emperor Tacitus” >Α49
“In the House of the Soul” >Α423
“Addition” >Α426
“The Intervention of the Gods” >Α428